Mariví Sánchez eta Lourdes García Sindicat dels Llogaters maizterren sindikatukoak.

Mariví Sánchez y Lourdes García del Sindicat dels Llogaters.

In this new work, renowned feminist filmmaker and postcolonial theorist Trinh T. Minh-ha offers a lyrical, philosophical meditation on the global state of endless war and the violence inflicted by the imperial need to claim victory. She discusses the rise of the police state as linked, for example, to U.S. military intervention in Iraq and Afghanistan, or to China’s occupation of Tibet, examining legacies of earlier campaigns and the residual effects of the war on terror. She also takes up the shifting dynamics of peoples’ resistance to acts of militarism and surveillance as well as social media and its capacity to inform and mobilize citizens around the world.

At once an engaging treatise and a creative gesture, Lovecidal probes the physical and psychic conditions of the world and shows us a society that is profoundly heartsick. Taking up with those who march both as and for the oppressed―who walk with the disappeared to help carry them forward―Trinh T. Minh-ha engages the spiritual and affective dimensions of a civilization organized around the rubrics of nonstop governmental subjugation, economic austerity, and highly technologized military conflict. In doing so, she clears a path for us to walk upon. Along with our every step, the world of the disappeared lives on.

In this new work, renowned feminist filmmaker and postcolonial theorist Trinh T. Minh-ha offers a lyrical, philosophical meditation on the global state of endless war and the violence inflicted by the imperial need to claim victory. She discusses the rise of the police state as linked, for example, to U.S. military intervention in Iraq and Afghanistan, or to China’s occupation of Tibet, examining legacies of earlier campaigns and the residual effects of the war on terror. She also takes up the shifting dynamics of peoples’ resistance to acts of militarism and surveillance as well as social media and its capacity to inform and mobilize citizens around the world.

At once an engaging treatise and a creative gesture, Lovecidal probes the physical and psychic conditions of the world and shows us a society that is profoundly heartsick. Taking up with those who march both as and for the oppressed―who walk with the disappeared to help carry them forward―Trinh T. Minh-ha engages the spiritual and affective dimensions of a civilization organized around the rubrics of nonstop governmental subjugation, economic austerity, and highly technologized military conflict. In doing so, she clears a path for us to walk upon. Along with our every step, the world of the disappeared lives on.

The classic text Metaphors on Vision by filmmaker Stan Brakhage (1933–2003), first published in 1963 as a special issue of "Film Culture," stands as a major theoretical statement by one of avant-garde cinema’s most important figures. Yet despite its undeniable influence, the complete Metaphors has remained out of print in the United States for more than 40 years. In conjunction with the publication of a new, definitive edition by Anthology Film Archives and Light Industry, on Thursday, January 25 at 7PM, the Walker Art Center presents a special screening of Brakhage’s work followed by a discussion with Ed Halter, curator, critic, scholar, and cofounder of Light Industry.

El primer libro de P. Adams Sitney fue una edición de Metaphors on Vision (Film Culture, 1963), de Stan Brakhage. Cincuenta años más tarde editó una edición revisada y corregida con notas detalladas (Light Industry and Anthology Film Archives, 2016). En esta charla abordará los principios de la obra clásica de la teoría cinematográfica y la ilustrará con varias obras de Brakhage realizadas en el momento en el que el cineasta escribía el texto.

Martxoaren 5etik 10era egingo den Punto de Vista-Nafarroako Zinema Dokumentaleko Nazioarteko Jaialdiaren xehetasunak ezagutzeko aukera. Ospakizunerako eta topaketarako gunea izango da Garbiñe Ortega zuzendari artistikoarekin batera.

Conoce los detalles de la 12 edición del Festival Internacional de Cine Documental de Navarra- Punto de Vista (5-10 de marzo). La presentación será un momento de celebración y de encuentro, en el que los miembros del equipo darán a conocer los aspectos más destacados de la programación, así como las novedades de esta edición, la primera de Garbiñe Ortega como directora artística.

Chiao-in Chenen etaAndrés Herrera-Feligrerasen hitzaldia.

* antolatzaileak: Instituto Gerónimo de Ustariz eta Katakrak.